“Let those who tore you from the
dungeons of the past find their wretched handiwork as I choose to leave it.”
--Etrigan
No
one really knows where the idea of reincarnation came from or how long it’s
been around.
We
generally associate it with the Far East, but it’s a belief that can be found
all over the world. Although science and religion are often at odds with each
other, reincarnation could be related to the idea that matter can neither be
created nor destroyed; it merely changes form. It’s not an altogether
outrageous concept when you consider it in this framework. Nevertheless, it is
by its very nature a mystical process that relies on an inscrutable, seeming
erratic mechanism.
Not
surprisingly, reincarnation has frequently found its way into popular works of
fiction.
In
Ghostbusters, when Dana Barrett
consults the guys about finding demonic creatures in her refrigerator, Ray
suggests that it could be attributed to past-life regression. Of course, the
thing about reincarnation is that you don’t always get to come back as a
person. You also have absolutely no say in the matter. In Douglas Adams’ Life, the Universe and Everything,
Arthur Dent encounters a grotesque being named Agrajag who has reincarnated
hundreds of times due to Arthur’s having inadvertently killed him again and
again. Amongst other things, Agrajag’s forms include a rabbit, a cow, a fly,
and, most memorably, a bowl of petunias.
Jack
Kirby explores the concept of reincarnation in The Demon #3, and it comes as no surprise that he gives it a unique
spin.
The
story opens with an ape-man on a rampage. Having killed the Khendustan (?)
delegate to the United Nations, he carves a swath of destruction through the
city before being summoned into a parked car by a robed man holding a
mysterious sign. The car’s other passenger, a bearded man in a pinstriped suit,
holds up a talisman resembling the sign, which he calls the “Master Eye.” As
the vehicle drives away, the creature slips into a coma and gradually
transforms back into the form of a man, who, upon awakening, has no
recollection of what has transpired.
The
man in the suit remarks that Randu Singh, the U. N. delegate from India and, as
we have learned from previous issues, close friend of Jason Blood, is to be the
next victim.
We
are then invited to take a peek into Blood’s unconscious mind.
In
issue #1, he tells the old wizard that a demon haunts his dreams. We know, of
course, that Merlin transformed Etrigan into a man after the fall of Camelot,
but the nature of this change is unexplained. Is Blood an entirely different
being, or is he just a “shell”? If he is
an altogether separate being, where did he come from? Did Merlin create him?
As
Blood slumbers, he dreams that he and Etrigan, as distinct entities, are facing
an enormous fanged monster. They are bound together by a chain attached to
collars around their necks. It becomes immediately clear that Blood is repulsed
by the Demon, insisting that he wants nothing to do with him. Blood wishes to
flee from the monster, but his infernal counterpart, bellicose by nature, wants
to fight it.
Blood’s
screams of terror attract the attention of his friend Harry, who happened to be
in the neighborhood. As Blood attempts to calm himself, Harry transforms into a
murderous pirate and attempts to stab him with a pair of scissors. Blood
manages to strike a blow that knocks Harry out just as Randu shows up. As
revealed in the previous issue, he possesses a species of extrasensory
perception, and it is this ability that reveals to him that Harry has reverted
to a past life. Randu realizes that Harry’s regression was brought about by a
cult of “Reincarnators” who planned to use the pirate to kill him. Using a
talisman similar to the one seen earlier, the Indian changes Harry back to his
old self.
Far
away, in their secret temple, the cult stokes the flames of its sacred idol and
transforms a new subject into a particularly apt form from his past: an
executioner. They give him an axe and send him to Blood’s apartment, where he
finds Blood snoozing at his desk. Randu bursts in just before the axe falls on
his friend’s head and speaks the words that change him into Etrigan. The Demon
makes short work of the executioner and then turns on Randu, something the
Indian didn’t anticipate.
Before
the fiend can get his claws on him, however, the executioner revives and leaps
out the window, grasping a cable suspended from a helicopter. Etrigan pursues
him and, stowing away on the vehicle’s chassis, watches as the executioner
returns to his modern incarnation.
Back
at the temple, the cult prepares to broadcast the Master Eye over the
television airwaves to cause a mass past-life regression, which will provide
the group with a host of new followers. When the chopper arrives, the man who
had been the executioner flees from the vessel, and the cult members find the
pilot gravely injured. Without warning, the helicopter explodes, and Etrigan
emerges from the flames and commences to destroy everything within reach,
disrupting the cult’s plans.
The
leader of the cult receives his comeuppance when the Master Eye’s beam changes
him into some sort of vermin, which Etrigan easily crushes under his boot.
Overall,
this is an interesting issue. The idea of reverting to a former incarnation may
not be new (I’ve honestly never encountered it before, but I haven’t read
everything, after all), but Kirby uses it to great effect here. I kind of wish
things hadn’t wrapped up so neatly at the end because I would’ve liked to have
seen this concept more fully explored. We didn’t even get to see a woman go
through the change, which could’ve been interesting, especially if actual
historical figures had been invoked (Elizabeth Bathory, perhaps?).
I like the way Kirby moves the overarching story forward while simultaneously giving each installment its own unique story. Rather than answering all of our questions at once, he gives us bits and pieces a few at a time, which is certainly an effective way to keep readers interested. I am eager to find out how things will unfold as the series continues.
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